Tree stories in Graves Park

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I’m wondering who Pete and Lisa are… one or both of them were at this beech tree recently and left their mark, so fresh that I thought it had been painted at first.  It’s a perfect example of the capacity of tree carving to provoke our curiousity and an ideal starting point for inspiring other artworks – just what ‘Tree Stories’, a new project I’m involved in, seeks to capture.

‘Tree Stories’ will be launched soon, with a Discovery Day event at the end of October to introduce the project to the people of Sheffield and North Derbyshire. 

Project leader Christine Handley, myself and poet, song and scriptwriter Sally Goldsmith went out last week to investigate marked trees in Graves Park, Sheffield.  We’ll be visiting some of them again with people on the Discovery day, then making prints, plaques and poems in response.

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An illustration of how letters have stretched over time, with interesting contrasts between crisp new carvings and deformed old ones.

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We thought this one read IAN + MARC, with what at first looked like a cross, but on closer inspection seemed to be a butterfly with little antennae.  Beautifully mossy inside the carvings.

The project will run until the end of next year, so there will be plenty more tree graffiti related posts. Until the next installment you can find more information on the project page and my first Tree Stories post, and also regular updates on my facebook page.

 

 

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Tree stories

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Tree graffiti €“ we€™ve all seen it, some of us have made it and many of us, myself included, have wondered about the stories behind it.  So I€™m excited to be beginning work on a new Arts Council England funded project for SYBRG managed by HEC Associates in Sheffield called €˜Tree stories€™, which will be looking at the whole subject of tree graffiti from a new angle.

Plans for the project include an app to enable people to upload pictures of carvings they find, community workshops, new artworks, stories, poems, music, an exhibition and a book.  The aim is to shed some light on this often misunderstood practice and use historic examples to inspire new imaginative works.  The project will run from October 2014 till December 2015 and focus mainly, though not exclusively, on the Sheffield and North Derbyshire area.  I€™m looking forward to working again in what I might call my ancestral home, being a Derbyshire girl myself!

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Of course we won€™t be encouraging people to carve into any fresh bark, but it will be interesting to explore people€™s perspectives on it €“ is it vandalism or folk art? What effect does it have on the tree itself? Are people angry or intrigued when they find it?  I wonder what stories the trees will tell us?

There are more photos and examples of drawings inspired by tree carving in an earlier blog post ‘The writing on the tree’.  

There will be lots more stories to come once the project gets up and running, in the mean time here’s one I didn’t make earlier…

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The writing on the tree

Newbattle Abbey College has a long and interesting history and some of my very favourite trees.  

It€™s been a regular haunt for me since I moved to Scotland in 1994 and I returned today in search of some tree graffiti to get the ideas flowing around €˜Tree Stories€™, a project in the pipeline which I hope to be involved in later this year.  It€™s being developed by Professor Ian D Rotherham at Sheffield Hallam University and aims to get the public engaged in a national hunt for marked and worked trees, recording them in photographs and trying to find out a bit more about their history. 

This idea was immediately appealing to me, as I€™ve been collecting images of carved and marked trees and incorporating these into my recent work.

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Newbattle graffiti beech, charcoal on paper (plus detail)

It raises some interesting questions for me about where the line is drawn between vandalism and culture, damage and heritage.   I€™d like to find out more about how carving a living tree affects it €“ does it lead to stress, disease or weakness, or is the tree able to repair or isolate the damage?  How much of the bark€™s surface can be carved before it starts to cause serious problems for the tree?

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This particular beech seems to have taken on a local significance as the place to €˜make your mark€™.  The oldest carving I could identify was dated 1955, but most were from the 1970s and 80s, with some much more recent.

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It€™s both shocking and impressive to see the whole surface of the tree marked like this €“ as if a large crowd had gathered by the river and started yelling their names.

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I’ve never noticed this on my previous visits, but there are coins pressed into wounds in the bark like some sort of spontaneous offering.  I’ve read about ‘money trees’ before but never seen one up close.

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There are more ‘Tree Stories’ to come from this one I think!

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