European Wood Pastures

September 15, 2018 | Comments: 0 | Categories:

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Reflections on 'European Wood Pasture', a UKEconet international conference at Sheffield Hallam University, 4th - 7th September 2018...

Fellow artist Anne Gilchrist and I attended the three day event in Sheffield and presented some of the work we have made in response to Dalkeith Oaks, including drawings, paintings and our book ‘Dead Wood and New Leaves’. We both enjoyed the connections and conversations sparked by our stand, provoking new ideas to feed our creative processes.

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As always at UKEconet events, the speakers were varied and informative, giving a wide range of perspectives on the subject. Details of the conference and presenters can be found here.

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From Nicklas Jansson’s presentation on a unique and threatened oakwood landscape in Turkey

As an artist I am of course interested in images of trees and woodlands, but I really value the opportunity to learn about the science, history and ecology of these landscapes too – I have a need to understand the cultural and ecological significance of the trees which are aesthestically interesting to me. What is striking is that the researchers I hear and speak to also connect with trees and woods aesthetically and emotionally as I do.

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From the presentation by Jeremy Dagley, Head of Conservation at Epping Forest, picturing the late Oliver Rackham with an Epping pollard.

Since it was Anne’s first time in Sheffield we spent one evening exploring Padley Gorge in the Peak District, where gnarly oaks grow through gritstone boulders in a steep valley. It’s not a wood pasture but is a fantastic ancient woodland site with some stunning trees.

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