‘Turning Towards the Light’ Artist Talks

artist talk at Linlithgow Burgh HallsWhat a joy is was last week to be back in a big room talking to people in person about my exhibition and journey towards it as an artist. There were some thought-provoking questions at the Burgh halls event, like ‘How do you feel about the effects of recent storms on trees?’ and ‘Have you ever refused to sell a work to someone you didn’t like?’ (that was a first!)

However, while it’s lovely to do that again, I’ve realised over the last 2 years that online events and platforms can have an important role in making art and events more accessible. I’ve attended lots of talks, conferences and other really interesting online events which would have been impossible for me to get to physically, so I want to offer that to anyone interested in my work too.

Online Artist Talk

I’ll be giving an online Artist Talk on Thursday 19th May, 7.30 – 8.30pm BST (GMT+1)

Join me in my studio where I’ll introduce the themes behind my oil paintings and drawings exploring the complexity, vitality and sculptural presence of ancient trees. Hear how I have developed my ideas, gain an insight into the creative process and find out more about the materials and techniques I use.

I’ll be hosting it on Zoom and love to make these things interactive where possible, so you’ll have chance to pose your questions and I’ll do my best to answer.

«Get your ticket here»


Virtual Exhibition Tour

Also available online is an opportunity to browse round the gallery space virtually and listen to the occasional interjection/explanation from me. It’s been made with a 360 degree camera and I’ve had good feedback about this – it seems to be easy to navigate around so if you’re too far away to see the work in person its a good way to see the exhibition.

virtual exhibition tourYou can find all the details about my current exhibition, including a full catalogue here »

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A first look at ‘Turning Towards the Light’

My solo show is now open at Linlithgow Burgh Halls.

‘Turning Towards the Light’ brings together a collection of oil paintings and drawings which explore the complexity, vitality and sculptural presence of ancient trees.

Here’s a selection of installation images to give you a feel for how the show looks in this beautiful historic building.

All works are for sale and you can see a full catalogue here»

The exhibition runs until Sunday 26th June and I’ll be doing an artist talk there on Thursday 21st April, 6.30 – 7.30pm. Tickets are free and booking is essential, by phone 01506 272820 or email burgh.halls@westlothian.gov.uk

linlithgow burgh halls entrance

The Burgh Halls are are free to visit and open every day (with a few exceptions for event bookings). Find full venue details here»

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‘On Tree Time’ virtual tour and Artist talk

On Tree Time exhibition posterWe artists are very adaptable, so in response to the restrictions in place during the exhibition I found some new ways to take the art to people who couldn’t be there in person.

Virtual tour

I did a live tour on Instagram so my followers could get up close with the art…

 

Artist Talk

My Artist Talk went ahead on Zoom not in a room. I always enjoy talking about the ideas and processes involved in making the works, so it was fun to be able to share that with folk across the oceans!

 

You can see the full exhibition online here and find installation photos in this blog post.

If you’d like to hear about future exhibitions, talks and events, you can get the inside info by subscribing to my Studio Newsletter.

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A look around ‘On Tree Time’

My solo exhibition at Edinburgh Palette, ‘On Tree Time’ was about the ways in which trees adapt and endure.

Although they move too slowly for us to perceive, over the span of centuries wood flows, trunks twist and limbs turn. I presented a new body of works on paper in charcoal, pastel and oil, celebrating the resilience and life force of trees.

Here’s how ‘On Tree Time’ looked in the gallery.

This exhibition brought together three strands of my work about ‘Tree Time’, a phrase coined by long time champion of ancient trees, Ted Green and one which chimes with my experience of discovering and drawing them for the last 12 years.

“When I begin to draw an ancient tree I’m struck by a powerful feeling of my being a short-lived creature amongst ancients.”

June 2021 felt like a new beginning, for me having my first solo show as a full-time artist and for all of us as a time to begin living publicly again after the hardest winter months.

After many weeks of not being able to travel to my usual woodland drawing sites and working hard in the studio, I was proud to show the results to people in person at last.

Due to the uncertainty surrounding public events and difficulties with framing supplies, I made the decision to install most of the work unframed.

Many thanks to Edinburgh Palette and its staff for their support and assistance in mounting the show.

You can view the full online exhibition here.

 

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Planning a new exhibition

I’ll be having a real-life, on the wall exhibition this June at Edinburgh Palette, my former studio complex and creative home in the east of Edinburgh – how exciting!!!

a colourful pastel painting of an old beech tree in winter‘On Tree Time’ explores the way trees adapt and endure in the face of adversity. It will feature a selection of new works on paper in charcoal, oil and pastel made during winter and spring 2020-21. The show opens Friday 4th June and closes on Sunday the 20th, so that’s 16 whole days where anyone who can travel to the area can come to see my newest work in person, have a proper chat with me and maybe even choose a piece for their own collection.

So much has changed over the last year that planning this exhibition feels almost like starting from scratch, even though I’ve been doing them for 10 years now. Private views and opening parties will need to be different, open door visiting may not be possible and hugs with friends, followers and colleagues will sadly be missing.

Some things will be the same though. For visitors, there’s the chance to get up close and personal with the art, to peer at the details as well as take in the whole view, to get a true sense of the textures, colours and energy of the work. For me, I relish the opportunity to show a collection of work with a coherent theme all together, the chance to talk about the story of the work with visitors, choosing favourites and great combinations, noticing rhymes and echoes, contrasts and creative leaps.  Sitting with my exhibitions has always been a favourite time for me to reflect on that body of work, review its successes and where it has fallen short of the idea. Almost always I come out of that process with new ideas sparked.

the outside of Edinburgh Palette St Margaret's House

One of the things that I like many creative people have missed so much is encountering the random, unexpected or surprising which can so often be the stimulus for new ideas. Alongside travelling to distant woodlands, it’s conversations with people not in my ‘bubble’ that I’ve missed the most. I’m so looking forward to talking to visitors about their experiences of trees and art, their knowledge and perspectives are always creatively energising.

To try and make the best of the current limitations, I’m putting together a programme of online and in person events linked to the exhibition so, if you’d like to hear about these and be first to get tickets, make sure you are subscribed to my Studio Newsletter. Find out how you can visit here and I hope to be showing you my new drawings very soon.

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Out of the Wood online exhibition

Originally planned as an extensive joint exhibition at Drum Castle, Aberdeenshire, ‘Out of the Wood’ will now be shown online through Edinburgh Palette’s online exhibition facility.

Margaret and I, and National Trust Scotland curator Vikki were so disappointed that we couldn’t mount the exhibition as hoped due to the Covid-19 pandemic. None of us could ever have imagined the scale of the crisis that was to unfold just as we began to make preparations for hanging. Thankfully we’ve remained safe and well and I’m delighted that my former studio complex have given us the opportunity to show the work online.

The exhibition will be live to view here from 7th to the 21st August. After the 21st it will remain on the website in their past exhibitions section.

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Drum Castle

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This year I will be exhibiting at the magnificent Drum Castle, a National Trust for Scotland property just west of Aberdeen. I will be sharing the impressive exhibition space (formerly Jacobean era bedrooms) with printmaker Margaret Pitt, who makes woodcuts.

The estate includes the Old Wood of Drum, an ancient woodland containing many old and interesting oaks. I had the opportuntiy to explore the woodlands on two visits last year and will be going back for a drawing trip next week.

Drum_woodland_view_1

The exhibition opens with a private view on Saturday 4th April and runs all through the Castle’s open season until 31st October.

I will also be doing some workshops and an artist’s talk – more details to come.

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About Grown Together

Here’s my thinking behind the exhibition…

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This exhibition brings together 18 artists, makers, poets and designers whose work is intimately connected with trees and woodland. 

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Though their works span a wide variety of media they are all united by a strong affinity with woodland; as a place to observe and connect with nature, as a rich source of metaphor, as a place for reflection and healing, as a link to distant myths and inspiration for new writing, as a sustainable resource to work with. For some, trees are their singular subject or their raw materials, for others they represent a starting point for their imagination. 

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The diversity of creative responses here is indicative of the richness of our cultural relationships to trees. The Finnish concept of ‘sisu’ encompasses the kind of endurance which continues in the face of all obstacles, a quality which artists here have sensed in the trees they know. Without wishing to anthropomorphise the tree, which is an utterly different kind of living thing to ourselves, it is hard not to draw parallels with our own struggles and scars.

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The way humans relate to trees while they are alive may be sensitive and respectful, or destructive and indifferent and there are examples of both in this exhibition. However, when a tree becomes wood our relationship with it changes: we no longer have to consider it as a living thing, and artists can begin to explore it as a material which tells the story of its own making.

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Timed to coincide with the launch of the new national Tree Charter, ‘Grown together’ seeks to highlight the relationship between artists and trees and remind us of the reasons we should value and protect them.  By considering trees in new ways, we can learn much about ourselves.

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‘To enter a wood is to pass into a different world in which we ourselves are transformed. It is where you travel to find yourself, often, paradoxically, by getting lost.’ Roger Deakin, Wildwood 2007

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The exhibition has been curated by Tansy Lee Moir and includes St Margaret’s House residents and invited artists.

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Read Giles Sutherland’s review in The Times here>

Read Rachel Mackie’s review in Edinburgh Napier news here>

The exhbition runs until 4pm Sunday 26th November.

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Introducing Grown Together artists

I am curating Grown together for St Margaret’s House this autumn and it’s been such a pleasure to work with artists from different disciplines who share my passion for trees. Here’s a flavour of their work, and the exhbition details can be found here>

Anne Gilchrist

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Anne Gilchrist has a deep connection to trees:
“My work has evolved within the woodlands of Midlothian, Perthshire and Argyll. Out of a lifetime’s love and fascination for the natural world and through long term acquaintance and observations, my work has gradually become more about the woodland, and – I hope – less about myself, or the human world.”
Anne will be showing paintings, sculpture and installation

http://www.annegilchrist.co.uk/

Charlotte Eva Bryan

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Charlotte Eva Bryan is a Glasgow based Artist and Art Therapist with a background in Painting and Printmaking.
She will be showing a drawing of the famous Pollok Beech.
“I have returned to observational drawing in an attempt to preserve the memory of a much-loved local tree which was recently attacked by vandals and set on fire. By drawing the remains of the tree, I intend to reflect on resilience and healing, while processing the attack and working with others in order to help keep the Pollok Beech’s legacy alive. “

http://www.articulatearttherapy.com/

Chris Dooks

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Chris Dooks is an Edinburgh based multimedia artist with a large portfolio of publicly engaged work, in what could be described as a ‘medical humanities art practice’.
“Although I have a fairly eclectic style I am niche in one aspect of everything I do – it is usually a response to creative problem solving of restrained opportunities.”
Chris will be showing his film ‘Gardening as astronomy’ from Tiny Geographies.

idioholism.com
vimeo.com/dooks
chrisdooks.bandcamp.com
500px.com/dooks
stationsofthelost.bandcamp.com

Alan Kay

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Originally from Fife, Alan Kay is a painter based in St. Margaret’s House.

“Trees seem to pepper landscapes but are often seen as secondary.  Recently, I have started to paint trees and I have tried to capture the idea of trees in the foreground obscuring the wide expanse of background.  It is about looking through things to get beyond – a bit like living in the future and not recognising and dealing with what is immediately in front of us.”

Alan will be showing some of his recent paintings.

http://www.alankayart.co.uk/

Teresa Hunyadi

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Teresa Hunyadi is an Austrian sculptor living and working in Edinburgh, with a studio at Edinburgh Sculpture Workshop.

“Trees mean lots of different things to me. Mainly they mean growth and adaption. Regarding my work they are a very substantial resource as well as a “friend”. Every interest in timber starts for me with the tree and its environment.”

Teresa will be showing a series of her recent sculptures in wood.

http://teresahunyadi.com/

Adele Gregory

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Originally from San Jose, California Adele now lives in Edinburgh and has a studio at St Margaret’s House.

“As a child I was lucky to have grown up with two large backyard trees and a small creek with woodland nearby. Trees were my upstairs playrooms.  The twists and turns of their branches were like the stairs in a cosy two-story home.  A few years on I would be camping with friends and gaze up at the ring of trees above our heads. No matter what spot you chose, you’d see this circle of guardians and somehow knew to be on good behaviour.”

Adele will be showing some of her pencil drawings of wooded areas around Edinburgh and the Lothians.

http://adelegregory.weebly.com/

Kenris MacLeod

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Kenris MacLeod is an Edinburgh based textile artist. She uses freemotion machine embroidery to describe the textures and complexity of the natural world – specifically trees and woodland.

“Using the sewing machine needle as a pencil or brush, I sew complex designs that combine repetitive forms and abstract shapes with elemental natural imagery. My work seeks to connect us to our ancient roots, tapping into a memory that is almost, but not quite, lost. Sometimes I think I should widen my remit and leave trees behind for a bit but it feels impossible when they are such a constant source of amazement and fascination to me.”

www.kenrismacleod.com

Steve Smart

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Steve grew up in Edinburgh, but for a long time lived in rural areas, now living just outside Dundee.  Amongst other things on his fifty-seven year trip he has been a photographer, a designer, a technologist, an animator, a hill walker, but always a person who makes.

“Trees can be very big, some of them are very old. Their character and way of life is complex, in many ways hidden, and very different from our own. They can make us pause, and they can make us gasp. I’ve had a fascination with the forms and shapes of trees, and a joy in walking in woods for longer than I can say.”

Steve will be showing his new multimedia work ‘Drawing Breath’.

stevedsmart.wordpress.com

Rona MacLean

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Painter and printmaker Rona MacLean grew up on Loch Lomond side and is now based in Edinburgh, with a studio at St Margaret’s House.

“Having grown up in the countryside trees have always been part of my childhood memories. Now they provide me with an enduring focus for my work. Their majestic silhouettes and structure, particularly in winter, are very compelling and a gift to a printmaker. A tree without its summer plumage never fails to intrigue me.”

Rona’s screenprints will be on show in the exhibition.

http://www.ronamaclean.co.uk/

Katherine Sola

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Katherine Sola grew up surrounded by ancient forests in Eastern Europe. She now works in ceramics, painting and drawing from her St Margaret’s House studio.

“Woodland fed us, and woodland gave us shelter. We have very strong respect for each tree and we see them as a living individual, not just a tree. In Slavic folk Culture we celebrate woodlands, forests and each individual tree. It is our way of life.”

Katherine will be showing new ceramic works.

http://www.katherinesola.com/index.html

Aliisa Hyslop

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Aliisa Hyslop is a Finnish/Scottish artist, living and working in Edinburgh and the Scottish borders, making paintings and sculptures.

“In the woods, through the woods, out of the woods – the symbolic nature of trees in our lives is a theme I have instinctively been following.  My mother was Finnish and perhaps because of that, I feel a natural affinity with trees and forests.”

Aliisa will be showing paintings, drawings and sculpture.

aliisa.hyslop@yahoo.co.uk

Isabell Buenz

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Isabell Buenz taught photography and expressive arts in Germany and Scotland, then established herself as an artist focusing on using paper and discarded books. She has a studio in St. Margaret’s House.

“I have always been connected to trees and woods in the shape of paper, the material of choice since I was a young child. I grew up in a family where big pieces of paper were always available. My father worked for the local newspaper supplying me with seemingly endless amounts of paper. I started building with newsprint, creating useful items, such as bags, bowls and picture frames.  As an adult I learnt to make my own paper, using fungi growing on tree trunks and other natural materials collected during forest walks.”

Isabell will be showing a series of new works in paper.

http://www.isabellbuenz.co.uk/

Aileen Grant

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Aileen Grant draws, paints and makes prints at her home in Lochcarron, Wester Ross and at her St Margaret’s House studio.

“I like to celebrate trees as they are so important to us as absorbers of carbon in the efforts to combat climate change.  Up here in Wester Ross the climate is a bit harsher for trees and there are not so many around. This rarity is another reason to cherish trees.”

Aileen will be showing some of her photopolymer gravure prints.

http://www.aileengrant.co.uk/

David Mola

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Originally from Spain, glass artist David Mola works in stained and bespoke kiln glass from his St Margaret’s House studio.

“Trees and woodland are places of inspiration for me.  There is something magical about trees, and in the way they grow, slowly, long lived… they are the best example of continuous movement, almost invisible but also unstoppable.”

David will be showing his sculptural works from the Kelburn Never-ending Glen.

https://www.davidmola.com/

Wildchild Designs (Robin Wood)

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Robin Wood is the founder Wildchild Designs, dedicated to creating exciting outdoor play structures, seating, sculpture and adventure trails.

“I’ve always been outdoors with my first happy memories in Suffolk where we lived by a huge woodland and the river Orwell: even then at the tender age of 7 I was allowed to play all day well away from our home and explore. I’m passionate about getting people out into the real world of nature, and my business encourages children of all ages to explore and re-discover the joys and freedom of outdoor play.”

Robin will be showing a series of illustrations for his Glingbobs and Tootflits sculpture trails.

http://www.wildchilddesigns.co.uk/

Lynn Ahrens

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Lynn Ahrens is a painter based at St Margaret’s House.

“For me, woodland and forest landscape played an important role in developing an approach to imagery based on memory and imagination. The experiences which were particularly stimulating occurred during lengthy periods of working in fields close to or bordered by woods and forests and of course the surrounding landscape, sounds and sights of the creatures inhabiting them.”

Lynn will be showing some of his oil and gouache paintings.

https://lynnahrens.co.uk/

Full Grown (Gavin Munro)

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Full Grown founder Gavin Munro, lives and works in Derbyshire, where he and the team tend the furniture field.

“Central to the original idea, and therefore to the ethos of the company, is a recognition that, somewhere along the line, the human race’s relationship with nature broke down, and the efforts of Full Grown are an opportunity to redefine this relationship in a mutually beneficial collaboration with nature.”

The exhibition will feature some of Full Grown’s furniture and design illustrations.

www.fullgrown.co.uk  

Tansy Lee Moir

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Tansy Lee Moir has been drawing trees for almost 10 years and is curating ‘Grown Together’ for St Margaret’s House. Originally from Derbyshire, she is now based just outside Edinburgh.

“My dialogues with trees always begin with walking, investigating areas of ancient woodland and historic land use, poring over old maps and new satellite imagery. My trips to these landscapes are partly aimless wanderings, partly focused foraging and I’m always on the lookout for the special trees which have a story to tell, in their contorted forms, broken branches or undecipherable graffiti.”

Tansy will be showing some of her recent charcoal drawings and works from the ‘Tree Stories’ project.

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