Blog

‘Turning Towards the Light’ Artist Talks

artist talk at Linlithgow Burgh HallsWhat a joy is was last week to be back in a big room talking to people in person about my exhibition and journey towards it as an artist. There were some thought-provoking questions at the Burgh halls event, like ‘How do you feel about the effects of recent storms on trees?’ and ‘Have you ever refused to sell a work to someone you didn’t like?’ (that was a first!)

However, while it’s lovely to do that again, I’ve realised over the last 2 years that online events and platforms can have an important role in making art and events more accessible. I’ve attended lots of talks, conferences and other really interesting online events which would have been impossible for me to get to physically, so I want to offer that to anyone interested in my work too.

share:

How Artwork Archive has changed my art business

When I didn’t know I needed an Artwork Archive

Just before I left my salaried job to go full time as an artist in July 2020, I had one of those pivotal moments in the studio when you know something needs to change.

charcoal drawing suggesting a figure
‘Marks and Memory 2’ charcoal on paper

I was selecting and packing work to send to an exhibition at An Talla Solais in Ullapool. I needed about 6 pieces and had an idea in my mind which ones they should be, but I was struggling to find one charcoal in particular. I had the images I needed in my digital catalogue folder but just couldn’t find the actual artwork. Frustrated, I searched my studio for an hour or more, had some cups of tea while trying to remember it, looked in the house, sat and wondered and felt very annoyed at my own inefficiency. Eventually it dawned on me that I had actually sold it and it now lived in Manchester!

share:

Discovering Derbyshire oaks

drawing of an old oak tree
‘Chatsworth 007’ conté and sanguine on paper

Heading south

Following six months hard graft in the studio preparing for my exhibition, it felt like the best reward to spend a week in my homeland, discovering some new trees.

So, I packed my drawing kit and headed for Derbyshire, excited to be feeding my imagination once again, turning the creative cycle back to the beginning of the process.

oaks in Chatsworth

Meeting the Chatsworth oaks

I grew up in Matlock and as a child used to visit the Chatsworth estate often with my grandparents. I have warm memories of lolling about the grounds with a picnic, paddling in the river and getting towed reluctantly through the big house. I had no inkling at the time that one day I’d be back with a drawing board to study the trees there.

share:

A first look at ‘Turning Towards the Light’

My solo show is now open at Linlithgow Burgh Halls.

‘Turning Towards the Light’ brings together a collection of oil paintings and drawings which explore the complexity, vitality and sculptural presence of ancient trees.

Here’s a selection of installation images to give you a feel for how the show looks in this beautiful historic building.

All works are for sale and you can see a full catalogue here»

The exhibition runs until Sunday 26th June and I’ll be doing an artist talk there on Thursday 21st April, 6.30 – 7.30pm. Tickets are free and booking is essential, by phone 01506 272820 or email burgh.halls@westlothian.gov.uk

linlithgow burgh halls entrance

The Burgh Halls are are free to visit and open every day (with a few exceptions for event bookings). Find full venue details here»

share:

Making ‘Rivers of oak’

Where do the ideas come from? How do the images form themselves? 

It’s not until after I’ve finished a body of work that I can get enough distance to see where it might have come from, what it relates to and where it sits amongst all my work. While I’m making it, it’s mostly a response to a creative urge rather than following a plan.

charcoal drawing
Standing wave, charcoal on paper, 65x50cm

Rivers of oak series

Looking back now I see that my ‘Rivers of oak’ series came from the coalescence of two visual elements – the bare, weather-eroded sapwood of long dead ancient oaks and the turbulent patterns of the sea where I row. Both are things I’ve looked at intently.

share:

Turning Towards the Light exhibition

poster for Turning Towards the Light exhibition

I’m delighted to announce my next solo exhibition ‘Turning Towards the Light’, a collection of oil paintings and drawings exploring the complexity, vitality and sculptural presence of ancient trees.

As humans we are both fascinated by darkness and compelled to turn towards the light. This exhibition brings together three bodies of work which combine light, shade and movement to draw attention to our relationship to trees.

Like most plants, trees employ phototropism, meaning they grow towards the light to maximise available energy. Although they turn far too slowly for human detection, they are constantly moving in response to their environment; twisting, reaching and flowing towards the sun. The work presented here is about that sense of movement, as if we were able to observe tree-time sped up to match our own.

Linlithgow Burgh HallsThe exhibition will be at the historic Linlithgow Burgh Halls, running from Friday 4th March to Sunday 26th June. Entry is free and there’s no need to book.

There will be a private view event on Thursday 3rd March – subscribe to my Studio Newsletter for an invitation.

I’ll also be doing an artist talk in the gallery on 21st April, contact me for more details.

 

share:

Reading to feed my art

Buoyed by the energy of the turning of the year, I’ve decided it’s about time I read more. I have loads of books and an endless appetite for learning, so this shouldn’t be difficult…

a stack of books

I miss reading

I used to read avidly. Reading non-fiction was a favourite way to relax and expand my mind at the same time. Anything about the natural world, science, history, neurology, psychology, philosophy and art of course. Then something changed – as I’ve got older I’ve got less able to focus late at night which used to be my usual reading time.

share:

Ancient trees with wet feet

This December I’ve been away tree-hunting – I was so ready for a road trip!

These journeys are like mini residencies for me – they are intense periods of research, exploration and new developments. They’re an essential part of my process, connecting me back to the old trees and their stories, eventually stimulating whole bodies of work.

An open wood pasture in ScotlandDrawing on location in Langholm

My original plan was to stay in Aberdeenshire as there are some great tree drawing locations I wanted to return to there. Sadly the whole region’s woodlands were devastated by Storm Arwen and my accommodation and drawing locations were closed to the public. It will take decades to recover from and I really feel for the tree people there.

share:

Drawing kit for a day in the woods

student drawings of treesIn preparation for my drawing workshops I spend some time thinking carefully about which materials to introduce my students to, which will work best for their level of learning, which will be exciting and fun to use, which will suit the location and tone of the day. I also like to make people feel like they have their own individual materials for the duration of the workshop, so I use small metal tins for the fragile stuff and bag it all up so everyone has the same selection.

Students also love to know what all the materials are, especially if there’s something they’re really taken by and want to buy for themselves afterwards.

So, here’s a list of what I offer on my Woodland Drawing workshops…

share: